The design of the garment was inspired by the works of Petah Coyne, and the texture of the fabric, the colours and the fact that the garment changes due to its materials remind us of her installations.
Fabrics have been a very important part of applying sustainability to clothing. Beyond donated fabrics, using the fabric of face masks to make flowers has been a bonus. The fact that there was such a great need during the pandemic meant that this material was in high demand, which led to all the waste and leftovers afterwards.
My Vetrine Journey
The limitation of dye colours: I carried out an extensive series of tests to see how I could achieve organic colours that were faithful to the design and inspiration.
The weight and difficulty of the fabric: I sewed carefully and used supports so that the weight did not hinder its manufacture.
Crochet dyeing: I carried out several rounds of dyeing and drying to achieve the desired colour.
Sustainability Aspect
Environmental
Used natural dyes and recycled materials.
Social
I have no company of my own so I can’t make an impact on this issue.
Financial
Very low production cost, long product lifespan, used cost-efficient sustainable techniques.
A Message to Consumers
I want them to know that I have put a lot of effort into this and that I have used donated products that were going to be thrown away. Also, that I think the inspiration on the artist Petah Coyne is a tribute to her.
A Message to Future Learners
I would tell them to focus on circular fashion, to try to design with zero-waste in mind from the start and to use natural fibers only.
Product Details
Product Name
Cotton Hooded tunic with dyed flowers
Reference / SKU
VETRINE-Tunic AEG_1
Color
White and beige
Size
L
Weight
3 kg
Quantity (if multi-pack)
One
Materials Information
Composition
90% Cotton and 10% non-woven polypropylene for the flowers (from Covid masks filters left overs)